In The History of Sexuality, Volume One, Foucault writes that, for a long time, Western societies (so the story goes) supported a Victorian regime, one that continues to restrain sexuality in the present. Whereas at the turn of the seventeenth century sexuality was (the story goes) treated with candor and sexual practices enjoyed a certain familiarity, the nineteenth century (the story goes) ushered in a confinement of sexuality to the conjugal home and reproductive function. In the terms of this historical narrative, Foucault wrote, “Nothing that was not ordered in terms of generation or transfigured by it could expect sanction or protection. Nor did it merit a hearing” (4). If sexuality was compelled to make itself visible, it would be designated in terms of abnormality and perversion and hence treated accordingly. Sexuality (or so the story goes) was repressed by power and access to the truth of one’s sexuality required that one free oneself from this repression, even at considerable cost: laws must be transgressed, prohibitions must be lifted, and pleasures reinstated.
Foucault referred to the thesis that underpins the aforementioned historical narrative as the “repressive hypothesis,” explaining that from the eighteenth century onward, there has in fact been a veritable discursive explosion around and apropos sex, a proliferation of discourses about sex in the field of the exercise of power itself rather than repression of sex: “an institutional incitement to speak about [sex], and to do so more and more; a determination on the part of the agencies of power to hear it spoken about, and to cause it to speak through explicit articulation and endlessly accumulated detail” (18). The compulsion to speak of sex, to categorize it, analyze it, legitimize it, liberate it, and redeem it was tied to, the product of, and generated in accordance with, force relations.
As Foucault argued, therefore, saying “yes” to sex does not amount to saying “no” to power. On the contrary, sex (and sexuality) has always been implicated in power. Indeed, from the eighteenth century sex became something to be administered and managed, became an urgent economic and political concern: “it was necessary to analyze the birthrate, the age of marriage, the legitimate and illegitimate births, the precocity and frequency of sexual relations, the ways of making fertile or sterile, the effects of unmarried life or of the prohibitions, [and] the impact of contraceptive practices” (26).
I want to argue that the justifications for the Journal of Controversial Ideas that Peter Singer, Jeff McMahan, and Francesca Minerva have advanced replicate the assumptions of the repressive hypothesis. As with the liberating release of our allegedly repressed sexuality, so too with a journal that enables the unfettered publication of certain controversial views: Our freedom and, ultimately, our truth are in the balance.
Insofar as Singer, McMahan, and Minerva—all of whom hold “controversial” positions in bioethical discourse—have initiated this project, we can reasonably infer that they aim to convince us that the expression and development of their positions and the putative truths and putative potential truths that they could comprise are threatened, if not already suppressed, by relations of power in philosophy.
These authors want us to believe that they are up against power, not situated otherwise within it, generating it. In particular, the pronouncements of these prominent philosophers are designed to make us believe that only if a venue is provided that distinctly publicizes and protects their views and the views of other academics whose intellectual freedom is similarly threatened with suppression, will we arrive at the truth on “controversial” matters. These authors (and the prospective journal), we are led to believe, will speak back to power rather than circulate and extend it. In other words, although Singer, McMahan, Minerva, and like-minded academics actually enjoy very public (and prestigious) platforms in which to advance their arguments, that is, although their views proliferate in books, articles, lectures, videos, and so on throughout the discipline and profession, the journal that the former philosophers have initiated is crucially needed because controversial views like their own are somehow repressed and stifled or at least threatened, not given the appropriate discursive space in which to be adequately considered and debated.
As Foucault was concerned to point out, truth can never be freed from power; indeed, there is no truth apart from power, for power is immanent in and productive of the objects that it affects rather than merely repressive of them: it produces candidates for true and false, as well as objects, states of affairs, identities, and so on. Thus, we might ask: About what can we expect the new Journal of Controversial Ideas to produce truth? Insofar as editors to a large extent influence the shape, scope, and contents of the publications that they edit, I think we can reasonably expect the new journal to produce the sort of eugenic discourses on which McMahan and his colleagues at the Uheiro Centre at Oxford collaborate and for which Singer is well known.
Indeed, I want to suggest that the publication of eugenic discourse is the rationale for this journal, notwithstanding any journal mission statement or public pronouncement to the contrary. Furthermore, I want to suggest that the biopolitical character and governmental tenor of both extant bioethics journals and the subfield of bioethics itself are mechanisms of the apparatus of disability that have already enabled the inauguration of future discourse on eugenics in the Journal of Controversial Ideas.
posted by Shelley
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